While normally strongly discouraging my students from copying directly from published copies of other artists’ work without purpose, I do encourage them to experiment with approaches to painting. Practical, directed learning is beneficial if it provides illumination into alternative ways of working. A study of the work of an Old Master painter offers this opportunity. … More Learning from the Old Masters
Earlier this month I started running weekly art classes at a local community centre on the Wirral peninsula. It was my intention to use these classes to put students on a personal creative ‘journey’. The experience garnered in my painting workshops, which I’ve run from home since summer 2014, is that the majority of students, … More Painting Made Easy?
This painting, which I made a couple of weeks ago, is a paean to a pair of boots that I’m particularly fond of. Sadly they’re no longer able to service my feet in the way they once admirably did. The soles are breached, the zip is broken, the seams are coming apart. It’s time to … More A Thank You to a Fine Pair of Boots
This panoramic painting, which depicts the Liverpool Waterfront, was completed in a couple of sessions today following a prolonged hiatus post-inception. It was painted from photographs taken on a late winter/early spring day in 2013 at a vantage point somewhere between New Brighton and Birkenhead, looking over the Mersey. I had a couple of sessions … More Over There, from Over Here
This landscape study was made today in Daler-Rowney Georgian oils on 10” x 12” canvas. It was painted from photographs taken on Sunday on a Wirral Walking Festival event – Storeton Village History Walk – and took a little over an hour to complete. According to our Wirral Archaeology walking guide, who I’ve no reason … More Leaving it to Memory